The People Under the Stairs (1991), dir. Wes Craven, Alive Films
Wes Craven does an urban fairy tale. A rare sentence to be true, but this delightful little romp has enough edge to keep you on your toes.
Deep over on the wrong side of the tracks, a team is assmebled.
Leroy (Ving Rhames)-ringleader
Spenser (Jeremy Roberts)-the face. Mostly he pretends to be a city employee, coming by to do routine matainance.
Fool (Brandon Adams)-he's only 13, but high time the lad learned a trade. His mother is also suffering from cancer and even a small score could help.
Their target? The Robeson home. The Robesons own pretty much the entire neighborhood and have done so for generations. The richer they get, the meaner and crazier they became. The fact that the house is outfitted with enough surveillance gear and home defense to rival a maximum security prison should be a tip off, but times are tough. No pain, no gain, right?
Well, there's pain a'plenty but zero gain. Spenser and Leroy get themselves very dead and Fool flees into the interior of the house. The Man (Evert McGill) and Woman (Wendy Robie) seem more annoyed than anything else, although judging from the gimp suit 'Daddy' wears they aren't going to be calling the police anytime soon.
There are also the titular people under the stairs. They're pale skinned, silent, and judging from the chunks missing from Spenser not adverse to long pork. Fool get the lowdown on them from Alice (A.J. Langer), the Robeson daughter, although she clearly isn't the first child in the house nor is she even their actual daughter.
Yeah, 'Daddy' and 'Mommy' are way beyond your normal sense of crazy here. There's also Roach (Sean Whalen), who lives in the walls. He used to be a son, until he spoke bad at Mommy and she had no choice but to cut out his tongue.
Roach gets killed, but not before passing Fool a hefty bad of gold coins and plea for help. Fool manages to escape but Alice isn't so lucky. Naturally Fool does the responsible civic duty thing and calls the cops. They spend less than five minutes at the house and leave.
So it looks like Fool is going to have to do this the hard way.
Wonderful and easily the best Craven did at this point. The Man and Woman are utterly twisted and a pitch perfect parody of upper crust landlords. Fool's entire odyssey is fantastic as well, as he grows in wisdom through his ordeal and has to deal with not only income inequality but also an incestuous man armed with a shotgun.

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