The Hound of the
Baskervilles (1959) dir. Terrence Fisher, Hammer Film Productions
By this point in time Hammer Studios was on a roll. With
Fisher as their main director and the two powerhouse talents of Peter Cushing
and Christopher Lee, there was nothing stopping them save themselves. Still
working in the horror genre, they instead moved into what is now considered
gothic horror.
Some time ago, Sir Hugo of Baskerville Hall (David Oxley)
was entertaining his friends by torturing a servant. The servant incurred Sir
Hugo’s wraith by asking the man to reconsider forcibly having sex with his
younger daughter. The daughter, upon hearing her father’s cries, opts to escape
the Hall and flees to the moor.
Sir Hugo, not to be denied anything, gathers his men, horses,
and dogs to go on what he charmingly calls a nighttime hunt. As the group
pursues the girl, each man and dog is frightened off by the cries of something
monstrous on the fog enshrouded moor, to the point where only Sir Hugo remains.
He finds the girl in the ruins of an old abbey and murders her. He doesn’t have
long to relish the sight, however, as a hellish beast springs from the fog and
rips him apart. Ever since then, no Baskerville is safe upon the moor.
Skipping ahead to the then present day of 1899, Dr. Mortimer
(Francis de Wolff) is recapping the story to Sherlock Holmes (Cushing) and Dr.
John Watson (Andre Morell). It seems Dr. Mortimer’s close friend Sir Charles
Baskerville died under odd circumstances, being found dead of a heart attack on
the moor, large paw prints around him. Dr. Mortimer insists that Sir Charles
was murdered and wishes to hire Holmes to protect the new owner of Baskerville
Hall, Sir Charles’s distant relative Sir Henry (Lee) who recently arrived and
is staying in London currently. Holmes considers the matter unimportant, but
upon meeting Sir Henry is barely in time to save him from a deadly spider that
somehow got into his boot.
Upon arriving at Baskerville Hall, seemingly everyone within
twenty miles has reason to do Sir Henry in; there’s the Hall’s servants
Barrymore and his wife (John Le Mesurier and Helen Goss) who seem oddly hostile
to their new boss, there’s the Hall’s only neighbors the Stapletons, the father
(Ewen Solon) and his daughter Cecile (Marla Landi), who seem to despise Sir
Henry on sight. Then there is the bishop (Miles Malleson) who collects
poisonous spiders as a hobby, leaving us the question of who isn’t trying to
kill Sir Henry?
The film does take some liberty with the source material,
but Fisher manages to make everything work. Cushing would later go on to play
Holmes again for another series on the BBC, but this outing would be the last
time Hammer did a Holmes story. Which a great shame, as evidenced here Hammer
knew how to craft a perfectly decent atmosphere.
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