Thursday, April 24, 2014

Horror Host 2013 Retrospective: Dr. Ghoulman

Dr. Ghoulman

Real name: Fred Mils

Years active: 1958-1959, Texas


While Gorgon the Gruesome was still on the air, another host made his debut soon after. Dr. Ghoulman, played by college student Fred Mils, made his debut in 1958 on K-PAC TV. Hosting his version of Shock Theater in the Beaumont, Port Arthur, and Orange markets, Dr. Ghoulman was until fairly recently  considered a lost host. Sadly there are only stills of the man. Any video recordings are still lost. From the stills suggestions, Dr. Ghoulman seemed to be more goofy than scary, but the exact context is unknown.

As mentioned before, finding hosts from before the advent of home recording is a tricky business. If not for the hard work of the website Terror from Beyond the Daves, Dr. Ghoulman may have gone unnoticed.

Fred Mils passed away in April 2013.

Wednesday, April 23, 2014

Horror Host 2013 Retrospective: Gorgon the Gruesome

Gorgon the Gruesome

Real name: Bill Camfield

Years active: 1957- 1959, with occasional specials throughout the 1960’s and 1970’s, Texas


Heading back to the musty vaults of horror, we find ourselves needing a host to make sense of the madness that inhabits our screens. As before I was unable to decide on a particular standard, but this year I decided to focus on the horror hosts of the Lone Star State. And starting the list off this year is the first host of Texas, Gorgon the Gruesome.


Bill Camfield was no stranger to television, as he was already playing the kid show host Icky Twerp, but starting in 1957 on K-FJZ, Ch. 11 in Dallas/Fort Worth viewers could tune in and watch Nightmare. The movies featured were taken entirely from the Shock video package, while the non-horror stuff was aired on Mystery Matinee, also hosted by Camfield.


Camfield took a massive departure from other hosts at the time. Whereas Vampira or Zacherley would snark and joke about the film, Gorgon made it quite clear that what you were about to watch was the scariest damn thing ever put to film. Camfield was also blessed with a fairly decent budget, as the set changed often and there were quite a few assistants often seen mulling about.


Gorgon’s tenure was rather lengthy. Officially Nightmare ended in 1959, yet Gorgon would appear regularly on Dallas airwaves, usually hosting a Halloween special. The serious host was an archetype that didn’t seem to catch on, as most hosts following Gorgon and especially today take a more campy approach to the films featured.

Of course, the films featured during Nightmare’s run would have been the classic black and white films of Universal and other studios. Having a serious approach back then would have made sense, although with such repeat viewings and parodies it is doubtful such an approach would be accepted today. Gorgon did set the standard for Texas hosts to follow however, and his contributions cannot be understated.

Bill Camfield passed away in 1991.


“When the night falls…when the shadows become deep and black…the silent pall of evil falls upon the Earth”

Wednesday, March 19, 2014

Thundarr the Barbarian

Animation Block: Thundarr the Barbarian


Going back to the well of the 1980’s, we find today a rare gem in the animated world. Jack “King” Kirby blessed the world with many characters, yet his foray into animation is often downplayed. Hired by Ruby-Spears in the early portion of the decade, Jack did the layouts for what would become Thundarr the Barbarian.


In the year 1994, a runaway planet hurtles between the Earth and the Moon, causing global upheaval. Mankind is cast into darkness. Our narrative begins two thousand years later. Earth is reborn as a world filled with sorcery and super science. Thundarr, a barbarian, escapes from his life as a slave alongside the Princess Ariel and Ookla the Mok.  With his Sunsword, a gift from Ariel, Thundarr and his companions ride the strange worlds under a broken sky.

Looking back at the show, I am amazed and disappointed it didn’t last longer. Airing in 1980 and before the FCC loosened all the rules meant the children of the era were spared Thundarr action figures, comics, and general merchandise. With Steve Gerber and Mark Evanier doing scripts, I am utterly dismayed that the show lasted as short as it did, finally ending production in 1982 with reruns on various networks after that.  Violence was never shied away from but it was never glamourized. The entire show had a fairly grim look at things to be yet there was also some degree of optimism. Princess Ariel deserves special mention as well. She was sassy but never obnoxious and her magic powers were consistent; or at least not used as a deus ex machina as much as other shows of the time period. She actually did stuff on the show rather than simply be the token female.  

What went wrong? Typical of the time the show was formulaic; Thundarr and company enter a ruined city or former landmark and encounter a wizard or other type of ne’er-do-well.  A battle is fought, hostages sometime taken and Thundarr and company leave much the same as they entered. But other shows were structured just the same and still lasted longer. Cost and ratings were given as the chief reason for the show’s cancellation, but unlike every other bit of 1980’s nostalgia, Thundarr the Barbarian seems to have been skipped by the retro toy companies and comic books companies, save for a few action figures made a couple of years ago.

The entire series was finally released onto DVD and is well worth the time to re-watch.

Thursday, March 13, 2014

New Adventures of the Lone Ranger

The New Adventures of the Lone Ranger (1980)


With the passing of famed producer Lou Scheimer, I felt it right to look back on one of Filmation’s lesser known properties. The Lone Ranger, also known as the New Adventures of the Lone Ranger, began properly with the Tarzan/Long Ranger Adventure Hour on CBS in 1980. With reruns of the animated Tarzan series, viewers would see the animated adventures of the masked rider of the plains.

With William Conrad as the Lone Ranger and Ivan Naranjo as Tonto, viewers could tune in and see the Western duo fight bushwhackers, mad scientists, and encounter such historical figures such as Nelly Bly. The animation was slick, although since this was a Filmation production it also meant we would endlessly see the same close-up of Tonto’s face and the same shot of the heroes mounting their horses. With the concerns of various parents groups and before the loosening of rules regarding advertisements, the focus was mostly on education. There was plenty of action, but every so often it would stop so our heroes or someone else could lecture on new-fangled things like refrigerators or hot air balloons. There would also be a short public service announcement after every episode.

None of the episodes were interconnected and the plots only lasted as long twenty minutes long. The music, consisting mostly of the famed William Tell Overture, was used to great effect. 

A DVD was released last year, but it only contains most of the series. A possible second volume would solve this, but with underperforming Long Ranger reboot it appears that would be very unlikely.

Monday, March 10, 2014

Horror Film countdown 2013, part 25

Bride of the Monster (1956), dir. Ed Wood, Rolling M Productions

And now friends we come to the end of the horror movie countdown; what began with the silent era and moved into the sleazy grindhouse has now drawn its last bow. As we moved into directors we started with the masters of the genre, we now end with arguably the worst. Ed Wood was never in anyone’s top ten lists, but the man had determination. Nothing else, mind you, but he could at least be counted to show up on time and wear nice pants.


Mac (Bud Osborne) and Jake (John Warren) are out hunting when they get caught in a terrible use of stock footage. Seeking shelter at the old Willow place, they are surprised to learn the place isn’t as abandoned as they thought. Dr. Eric Vornoff (Bela Lugosi) orders the men away, but when they demand to be let in, Lobo (Tor Johnson) is summoned. Fleeing into the stormy night, Mac is promptly set upon by a mutant octopus and devoured. John is beaten up by Lobo and taken back to the house.


Once there, Dr. Vornoff straps John to a machine and informs him that he is about to take part in a great experiment…or else he’ll end up dead. Once John is pumped full of radiation, Lobo drags him back to the octopus for disposal.


The recent deaths have managed to motivate the local news, as reporter Janet Lawton (Loretta King) has it out with police captain Tom Robbins (Harvey B. Dunn), who orders her to stay out of police business. Janet’s boyfriend, Lt. Dick Craig (Tony McCoy) is put in a rough spot.


Enter Dr. Vladimir Strowsky (George Becwar), noted monster hunter, who claims that there might actually be a monster responsible for all the deaths. That’s enough for Janet, who drives out there and promptly wrecks her car. She is also dragged to Dr. Vornoff by Lobo. It seems Dr. Strowsky has a sinister motive too, as he is actually there to woo Dr. Vornoff to come work for their homeland. Dr. Vornoff is less than nostalgic and murders his former coworker. From there he hypnotizes Janet and plans to once again try with the radiation. The police, meanwhile, have figured out where Janet is and rush to her rescue. Will they make it in time?


Ed Wood does get a bad rap from the going public, but honestly? I would take this over Fart: The Movie any day, or anything by Michael Bay. The performances are less then stellar, and the octopus prop is noticeably that, but seeing actors pretending to fight with limp rubber limbs just makes my heart glad in ways bouncing CGI robot testicles don’t.

Horror Film countdown 2013, part 24

The Last House of the Left (1972), dir. Wes Craven, Sean S. Cunningham Films

Easily on the nastiest films in this countdown, and one of the most infamous, Wes Craven’s debut began as a genuine roughie before being reworked into a rougher (yet still softer than the first draft) version of Ingmar Bergman’s the Virgin Spring.



Mari Collinwood (Sandra Cassell) is celebrating her 17th birthday. She and her best friend Phyllis Stone (Lucy Grantham) are off to the big city to see a rock concert. Mari’s parents John (Gaylord St. James) and Estelle (Cynthia Carr) are concerned, especially about Phyllis, but in the end they relent.


Once they enter the city proper, both girls decide to buy some weed from the sleaziest fellow they can find, a smack addled no goodnik named Junior (Marc Sheffler). Junior lures them back to the rattrap hotel he’s crashing at with his dad, Krug Stillo (David Hess), Krug’s best buddy “the Weasel” Fred  Podowski (Fred J. Lincoln), and Krug’s best gal pal Sadie (Jeramie Rain). Krug and Weasel have just broken out of prison, and it seems they are up for anything.


Some time later, both Mari and Phyllis are roughly pulled from the trunk of Krug’s car. From there the girls are humiliated, raped, tortured, and finally killed. Car trouble forces Krug and company to seek shelter during a thunderstorm at the only house for miles, a quaint cottage with the name ‘Collinwood’ over the front door…


While the film’s reputation for utterly depravity is well earned, there are several missteps. After nearly every horrible thing Krug does the film then cuts to the wacky antics of the sheriff (Marshall Ankers) and his deputy (Martin Cove) as they bumble and scamper around. It kind of defeats the horror of it all when we go from a brutal rape to the sheriff yelling at chickens.

Horror Film countdown 2013, part 23

Piranha (1978), dir. Joe Dante, New World Pictures

Moving ahead, we find one of the many graduates of Roger Corman’s school of cheap filmmaking. Joe Dante cut his teeth on the sometimes sleazy world of Hollywood, directing what Steven Spielberg would eventually call the finest of all Jaws rip-offs. 


Two teenagers, Barbara Randall (Jane Squire) and her boyfriend David (Roger Richman) are having a typical make-out session in the woods when they get the idea to continue their carnal questing deeper in the wooded area. Finding an abandoned Army testing ground, they decided to consummate their passion within the crumbling area. Ignoring the warning signs, they easily enter the area. Deciding a full moon skinny dip would set the proper mood before their little death, both are soon naked and splashing without care. Something then kills them both.


After some time has passed, private eye Maggie McKeown (Heather Menzies) has been hired to find the missing teens. She retraces their steps with the extremely reluctant help of local man Paul Grogan (Bradford Dillman), who takes time from his busy scheduling of drinking and trying to look after his hydrophobic daughter Suzie (Shannon Collins), who was recently dropped off a camp down the river. They follow the teen’s trail exactly and soon end up at the testing ground. When Maggie empties the pool to search it, all she finds a small pile of bones and Barbara’s locket; this action prompts a wild-eyed man to scream at them and try to steal Maggie’s jeep. One car wreck later the man identifies himself: Dr. Robert Hoak (Kevin McCarthy).

As the trip float down the river on a homemade raft, Dr. Hoak explains the reason for his outburst. It seems he was the head researcher of Project Razorteeth, an attempt by the military to breed an aggressive type of piranha capable of living in both salt and fresh water for use against the Viet Cong.  Maggie and Paul dismiss Hoak as crazy, at least until they find the remains of Jack (Keenan Wynn), Paul’s neighbor. His legs have been bitten off. Also, Jack’s house was in a straight line straight to the summer camp where Suzie is right now.

Paul, Maggie and a boy Hoak rescued before dying manage to escape the river and get word to the authorities, represented by Colonel Waxman (Bruce Gordon) and his aide, Dr. Menger (Barbara Steele). Neither the colonel nor the doctor wants the word of their screw up reaching the public, so Paul and Maggie end up in the slammer.

The piranhas, on the other hand, don’t care about public relations and plan on turning the summer camp into an all you eat buffet. Can our heroes stop them in time?

Remade and squeals aplenty, none compare to the first. Dante has enough humor and scares to balance everything out. Dick Miller as the cheapskate amusement park owner is a nice touch.